Natural World
There is an important point about photographing mountains: You must include some visual clue to indicate the true magnitude of the scene around you. Scale is probably more important in shooting mountain peaks and ranges than with any other subject.One way to establish a sense of scale is to use a wide-angle lens (24 mm to 35 mm) or wide-zoom setting and include an immediate foreground subject–a clump of wildflowers or a travel companion, for example. Read the rest of this entry »
Natural World
The glistening white sands, turquoise waters, and vibrant blue skies of tropical beaches are the stuff of which wall calendars (and daydreams) are made. Capturing the simple beauty of such scenes is relatively easy if you keep a few basic concepts in mind.
Because tropical beaches have such inherent prettiness, finding attractive compositions isn’t hard. For broad views, use a wide-angle lens and look for vantage points where the curving line of the sea lures the eye into the scene–perhaps leading to a particularly attractive palm grove or a row of beached sailboats. Read the rest of this entry »
Natural World
In the hands of a creative photographer, an artful landscape can be made of any subject from a New England farm to an Inca ruin in Peru. Landscapes are simply photographs that describe an outdoor place–any place at all.The natural inclination–especially in scenic areas–is to put on a wide-angle lens and randomly take in as much of a vista as possible, assuming that the beauty or intrigue of a place will carry the photograph. Usually it won’t. While a wide-angle lens’s ability to include a broad view can be a real blessing, often it is better to use a telephoto lens to isolate a particularly interesting portion of a scene. In either case, you must find a way to organize and present your landscapes with as little excess baggage as possible. Read the rest of this entry »